© Markus Burke

Caspar Singh

Tenor

At 21 Caspar was invited to join the Opera Studio at the Bayerische Staatsoper, making his stage debut in 2018 under Asher Fisch.  2020-21 marks his first season as a member of the Bayerische Staatsoper's ensemble, and here he recently made his role debut as Wilhelm Meister in a new production of Mignon.  Elsewhere, he has performed at the Gärtnerplatztheater, Garsington Opera, Longborough Festival and at the Barbican Centre, London. Future plans include Tamino Die Zauberflöte for the Komische Oper Berlin, Melot Tristan und Isolde for the Musikfestspiele Königswinkel and Male Chorus The Rape of Lucretia with the Kammerakademie Potsdam.

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Artist Manager

Camilla Wehmeyer

camilla@wehmeyermanagement.com

Associate

Mary Donald

mary@wehmeyermanagement.com

 
 

News

Role debut in Bayerische Staatsoper's new production of Der Rosenkavalier

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On 21st March, Caspar Singh will make his role debut as Der Haushofmeister bei Faninal in the premiere of Barry Kosky's new production of Der Rosenkavalier at the Bayerische Staatsoper, Munich.  Under the baton of Vladimir Jurowski, other cast members include Marlis Petersen as the Marschallin, Samantha Hankey as Octavian and Christof Fischesser as Baron Ochs.  The premiere will be live-streamed for free on Staatsoper.TV and radio broadcast live on BR-KLASSIC.  There will be a further free video-streamed performance on 23rd March via Staatsoper.TV, and the Nationaltheater plans then to open its doors to the public for the finale on 3rd April.  

  

As a member of the Bayerische Staatsoper's ensemble, Caspar will go on to appear over the remainder of the season as Gaston La Traviata, Scaramuccio Ariadne auf Naxos, the Prince The Snow Queen, Oberpriester Poseidons Idomeneo and Augustin Moser Die Meistersinger von Nürnberg.

 

Click here for more information about Der Rosenkavalier and the remainder of the Bayerische Staatsoper's season.

 

 

Media

Repertoire Includes

Concert

BACH 

Easter Oratorio


BRITTEN 

St Nicholas
The Seven Sonnets Of Michelangelo
Winter Words


BRUCKNER

Te Deum


DVORAK 

Mass In D
Stabat Mater


HANDEL

Messiah

 

HAYDN
Die Schöpfung
Nelson Mass


MOZART

Requiem


ORFF

Carmina Burana

RHEINBERGER

Mass in C


SCHUBERT

Die Schöne Müllerin
Winterreise


SCHUMANN

Dichterliebe*


STAINER

The Crucifixion

* in preparation

Opera

HANS ABRAHAMSEN

The Snow Queen (Prince)

BEETHOVEN

Fidelio (First Prisoner)


DONIZETTI

L’elisir d’amore (Nemorino)*

 

GLUCK
Alceste (Coryphaeus)

MONTEVERDI

Il ritorno d'Ulisse in Patria (Amphinomus)

MOZART 

Cosi fan tutte (Ferrando)
Die Entführung Aus Dem Serail (Belmonte)*
Die Zauberflöte (
Tamino)

Don Giovanni (Ottavio)*

Idomeneo (Oberpriester Poseidons)

POULENC

Dialogues des Carmélites (L'Aumônier)

PUCCINI                
Manon Lescaut (Edmondo)

RAMEAU

Castor et Pollux (Castor)


STRAUSS, R.

Capriccio (Italian Tenor)

Ariadne auf Naxos (Scaramuccio)

Der Rosenkavalier (Italian tenor)*

Der Rosenkavalier (von Faninal's Major-Domo)


TCHAIKOVSKY

Iolanta (Almeric)

Eugene Onegin (Lensky)*

Eugene Onegin (Vorsänger)

THOMAS                                    

Mignon (Wilhelm Meister)


Verdi 

La Traviata (Alfredo)*

La Traviata (Giuseppe)

La Traviata (Gastone)   

Rigoletto (Borsa)

Il Trovatore (Un Messo)

Les Vêpres Siciliennes (Mainfroid)

WAGNER        

Die Meistersinger (Augustin Moser)

Tristan und Isolde (Melot)

Parsifal (Dritte Knappe)

Lohengrin (Erste Brabantische Edle)

* in preparation

 
 

Press

thomas MIGNON / Bayerische Staatsoper, Munich

“Caspar Sing als Wilhelm Meister zeigt nicht nur hier, dass er ein schönes Timbre mit weichen Piani, aber auch durchschlagenden Höhen besitzt."

"Caspar Singh as Wilhelm Meister shows not only here that he has a beautiful timbre with soft piani, but also striking highs.

Susanne Kittel-May, Online Merker (September 2020)

"Caspar Singh, er singt seine aberwitzige Partie ohne jede Anstrengung, ist als Wilhelm Meister ein vom Theaterleben und besonders den Künstlerinnen faszinierter Intellektueller, der genau weiß, dass er nie zum fahrenden Volk gehören wird."

"Caspar Singh, who sings his ludicrous part effortlessly, is as Wilhelm Meister an intellectual who is fascinated by theater life and especially the artists, who knows for sure that he will never belong to the travelling people."

Reinhard J. Brembeck, Süddeutsche Zeitung (September 2020)

"Caspar Singh sieht nicht nur wie ein erste Bühnenluft schnuppernder Intellektueller aus, er singt die Musik auch mit einem für französische Opern idealen schlanken, hellen und höhensicheren Tenor."

"Caspar Singh not only looks like an intellectual who sniffs the air on stage, he also sings the music with a slim, bright tenor that is ideal for French operas."

Robert Braunmüller, Abendzeitung-München (September 2020)

Wagner LOHENGRIN / Bayerische Staatsoper, Munich

 

“Lastly, the four noble Brabanters show as always the excellence of the supporting roles at the Bayerische Staatsoper, and deserve to be cited: Caspar Singh, George Virban, Oğulcan Yılmaz, Markus Suihkonen”.

Guy Cherqui, Wanderer (December 2019)
 

 

Handel MESSIAH / Staatstheater am Gärtnerplatz, Munich

 

“Worthy of highlighting is Caspar Singh. The tenor jumped in at short notice for Alexandros Tsilogiannis (who walked his part on the stage). From the orchestra pit, his smooth lyrical voice rises to every height; his words sung with conviction and clarity.”

Helmut Pitsch, Opera Online (October 2019)

 

“As a step-in for the indisposed Alexandros Tsilogiannis, Caspar Singh was brought from the opera studio at the Staatsoper. His astonishingly well-formed tenor, already well-developed beyond Baroque repertoire, demonstrates what a great catch the sister theater on Max-Joseph-Platz has snagged”

Markus Thiel, Münchner Merkur (October 2019)

 

“Tenor Alexandros Tsilogiannis has no voice so only acts his part. His voice is lent to him from the orchestra pit by Caspar Singh from the opera studio of the Bayerische Staatsoper “next door”.  It’s a pity for Tsilogiannis, but as a viewer and listener I personally think the two mastered the difficult situation perfectly”

Andreas Schmidt, Klassik begeistert (October 2019)
 

 

Haydn DIE SCHÖPFUNG/ Bayerische Staatsorchester

 

“Archangel Uriel (Caspar Singh) let the sun gently ascend with a beautiful, velvety tenor voice, “In vollem Glanze steiget jetzt die Sonne strahlend au.”

Regina Wahl-Geiger, Münchner Merkur (July 2019)
 

Strauss CAPRICCIO / Garsington Opera

 

“The Italian singers, Nika Gorič (soprano) and Caspar Singh (tenor) relished the straight-faced parody of their bel canto divertissement, and offered a playful counterpart to the company’s philosophising”

Claire Seymour, Opera Today (June 2018)

 

“The Italian singers, in the persons of Nika Gorič and Caspar Singh, gave perfect examples of their director’s favourite art.”

Melanie Eskenazi, Music OMH (June 2018)

 

Photos